No Time To Die Costume Designer Shares How You Dress The Most Stylish Spy In Movie History [Interview]

No Time To Die Costume Designer Shares How You Dress The Most Stylish Spy In Movie History [Interview]

Youre a big fan of classic clothes, which you and Daniel Craig talked about quite a bit for the movie. What are some classic pieces in “No Time to Die”?
Throughout all of his closet, I would state theres a component of it. I think the huge ticket vintage one is the end, the final costume of his, which is this tactical-looking [costume] We had talked about wanting to send out Daniels Bond off into film history with something that we havent always seen him in previously, something that felt like a renowned shape.
Not a shape in the method outfit and fashion people talk about the shape of a fit, but actually like a shape, like the shadow of a figure that you see in that famous iconography of Bond coming through the weapon barrel? We desired essentially something that would tick those boxes. The sweater that hes wearing at the end, I was being reluctant and practically called it a jumper because of course in England, call a sweatshirt the jumper. Its basically an adapted version of a vintage World War II British commando sweater, which I had actually found and given Daniel.
I brought that in to reveal him and he put it on and he enjoyed it when we were starting to work on what this last look was going to be. We decided to utilize that as our jumping off point. There are things that we altered about it. The initial one still had extremely period pattern shapes to it, which arent necessarily as modern as what you are looking at in the film.
We adapted it for Daniel, altered the color, the product, all that stuff, and teamed up with one of those long-standing brand name partners of Bond to have them produce it, due to the fact that we understood we required something like 48 of them, I believe. It becomes an essential prop in the film, too.
We desired something various. The original was a very heavy wool, however clearly, for the functions of our scene and all the action, we are certainly not desiring to have him withstand multiple days in the summer season shooting this in heavy wool.
The pants were also based on an amalgamation of different vintage battle pants from Naval origin. The silhouette of a Second World War trouser is not the silhouette that you see on him. We desired undoubtedly to have that shape concept of him as simply, the best human form.
I mean, simply the variety of hands within the department that each item of clothes gone through, its a remarkable quantity of work that goes into it. We kept developing the prototype and redeveloping the prototype based on the fact that they were dealing with the last series and all the action and the stunts. Each time Daniel would come in for a fitting, we would do more numerous looks at every fitting, however we would be developing and refining different pieces of costumes whenever.
And the pants were one that took a long time to develop throughout numerous months because the action in the last series was developing, and he d come fresh from a stunt rehearsal and be like, oh right, I did the rehearsal today and I understand Im going to get the weapon from this angle, therefore possibly we must move this pocket over here. We wanted them to feel genuine to what he would require in the scene. Its not simply a visual choice or one based upon love of vintage clothing, but really much a practical and technical choice.
The franchise generally looks back to the past, but still captures whats brand-new and contemporary. What were a few of the other more modern-day touches you utilized?
I believe fashion is in this phase where everything goes at the minute. Theres also a real love at the moment for vintage. Its a bit of a catchall. So with each character, I think the method wasnt always to think, fine, they have a retro design to them, or they have a more modern, modern feel to them. It was more character-based. Therefore with Bond himself, it meant that we could look back due to the fact that there is this legacy of 24 films and a real development between Bond performers in their chapters, in addition to the general advancement of Bond himself as one character.
The freedom to go that way featured characters that were completely new. I believe with the returning characters, there was constantly an obligation to make certain they fit on their evolutionary scale, like you have a great deal of returning characters in MI6 headquarters. The new characters like Paloma or Nomi or Rami Maleks Safin, we could simply start fresh with them.

We had actually gone over desiring to send out Daniels Bond off into movie history with something that we have not always seen him in previously, something that felt like an iconic silhouette.
Its generally an adapted version of a vintage World War II British commando sweatshirt, which I had actually discovered and brought to Daniel.
The trousers were also based on an amalgamation of various vintage fight trousers from Naval origin. Its not simply an aesthetic choice or one based on love of classic clothing, however very much a technical and useful decision.
Theres likewise a real love at the minute for vintage.

This material was initially released here.


Leave a Comment

Your email address will not be published. Required fields are marked *

Scroll to Top